Cinema of Vietnam, often known as Lang Phim, had an intriguing backstory that spans more than 100 years. Tracing back to the late 19th century, when the French colonizers here brought cinematography to Vietnam, the cinematic scene has experienced major evolution.

The primary cinema were mostly short cinema productions, informational films, documentaries, and animated films. Initially, Vietnamese people mostly watched international films, primarily from France.

As years moved on, Vietnamese cinema usually reflected the nation's political shifts. The 1945 denoted the commencement of activist cinema in Vietnam, often portraying themes of resistance and nationalism.

Additionally, the post-conflict era was a time of great rebirth for Vietnamese cinema. Stunning works such as "The Little Girl from Hanoi" and "17th Parallel, Nights and Days" emerged, painting a vivid portrait of the country's heartaches and victories.

Moreover, new-wave cinema, arising from the 1990's, showed increased complex and individual narratives, examining themes such as kinship, love, and urbanization. Films like "The Scent of Green Papaya" and "Cyclo" illustrated this shift, amassing international attention.

Today, the film sector is thriving, with film producers and directors venturing into vast genres and themes, and Vietnamese cinema gaining fame on the international stage. Famous films such as "The Third Wife" and "Song Lang" have garnered impressive recognition for their poignant narration and breathtaking visual storytelling.

In essence, Lang Phim, the sphere of Vietnamese cinema, captures a broad tapestry of feelings, ranging from edge-of-your-seat thrillers to deeply moving drama films. It is a tribute to Vietnam's intricate heritage and impassioned experience. As Vietnamese cinema continues to develop, its charm is sure to broaden even further. It's without a doubt a field worth discovering, whether you're a film buff or simply looking for a window into Vietnamese culture.